Universal Audio Apollo Twin Duo XĪs we leap to the other end of the price spectrum, consider how much you’re willing to spend to get a volume control as satisfying to look at as the Twin Duo X’s. This means you won’t need to buy two interfaces to record on both your phone and your computer – provided you only need one quarter-inch input. While it has no XLR jack, like the iRig, it does work through USB (rather than through a phone headphone jack). Unintentionally imperative product name aside, the Helicon GO Guitar provides a great middle-ground between a simple dongle interface and a more fully-fledged one. While most interfaces simply have an LED that turns an angry red as you start to crank the gain too high, the M4 sports an LCD screen for detailed viewing of input levels, so you can easily turn to that sweet spot of signal-to-noise ratio. The real kicker of the M4 is the metering.
#USB AUDIO INTERFACE BEST BUY SOFTWARE#
Your signal makes the round trip in a speedy 2.5 ms – great if you want to record directly using software amps. It also comes with iOS compatibility, direct monitoring (independently switchable for inputs one and two) and ultra-low latency for non-direct monitoring. These allow for some nice flexibility, such as recording two guitars and two vocal tracks simultaneously. Motu‘s M4, as its name suggests, comes with four inputs – two combo XLR/quarter-inch jacks, and two quarter-inch line-ins.
USB-C brings some benefits, too, such as reduced latency for non-direct monitoring and a whopping 192kHz sample rate. It also comes with four Yamaha-designed amp models: Clean, Crunch, Drive and Lead – great for either recording scratch takes on the go, before you re-amp into a cabinet, or achieving a direct setup in your studio. Perfect if you want to hear the exact effects you intend to apply as you record takes. This allows for effects-enabled zero-latency monitoring that works in every DAW. Notably for guitarists, it comes with digital signal processing powered by Yamaha’s custom-designed SSP3 DSP chip. Both of the inputs are XLR/Jack combos, while input 2 has the option to accept instrument-level input. Steinberg‘s UR22C is a dual-preamp USB C interface. But, if you do want to go down that route, the Jam+ can connect to any Windows, Mac, or iOS device for use with any DAW.ĭue to its minuscule size, this is a great interface if you either want to save on desk space, or jot down riff ideas on the go. The latter will give you an off-the-bat overdrive sound, without the need to rig up any virtual amps in your DAW. Notably, it offers two input modes: Clean and Drive. It features a single quarter-inch instrument input, a single gain knob, a USB connector and a stereo eighth-inch jack for easy monitoring with headphones or speakers. Like the iRig, Apogee‘s Jam+ boils an audio interface down to the essentials needed by guitar players.
#USB AUDIO INTERFACE BEST BUY PORTABLE#
While not as portable as a dongle interface, it’s still quite minute – and with sturdy construction and simple I/O, using the ID4 on the go shouldn’t be an issue. The microphone input runs into a Class-A Audient console mic preamp, and has switchable +48v of phantom power if you want to use a condenser microphone on your cabinet.īecause of the JFET-powered instrument input, running directly into a DAW should be a breeze, with lots of headroom and dynamic response. The latter is designed for guitarists, as it runs into a JFET preamp – mimicking the behaviour and impedance of a guitar amplifier. This console-style interface from Audient comes with a combination XLR/jack input, as well as a separate quarter-inch instrument input.
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